This series is part of a body of work exploring the fold as a primal form. The images—nocturnal landscapes, lunar surfaces, fragile architectures—suggest the appearance of Ham*, a central figure in the film *Le Rêve de Nathalie*. A membrane unfolds here, stretched between opacity and light, mass and disappearance.
The fold appears here as a minimal gesture.
An inflection.
A way of shifting the surface toward volume, the visible toward the perceptible.

The digigraphies, printed on slightly textured fine art paper, extend this tension: the medium itself becomes a membrane. It no longer merely carries the image—it shares its condition.

In contrast, research on folding introduces a physical presence. It shifts the focus of the images: from the gaze to the body, from representation to experience.

What is at stake here still lies at the threshold—that unstable moment when something appears without taking shape.