TEXTS
What Space Produces, Gherardo Frassa
In Marie B. Cros’s work, transforming a space, altering its perception, and shifting its functions—these actions might seem to belong to the field of scenography. Yet they involve something else: a more fundamental attempt to reveal the very conditions of the image. The gaze wanders, hesitates, and refocuses. The image is never presented as a given. It appears on the threshold of its own construction.
In the installations she designs, space is never presented as a neutral framework. It becomes an active agent. Beyond serving as a medium, it shapes the active condition of the experience.
French • English
The Emergence of a Practice, Peter de Raaf
I remember that period as a time of extraordinary intensity. The bodies she worked with carried a tension, a vulnerability, and a fragility that went beyond mere representation.
Everything that would unfold later was already present, in fragmentary form, from the very beginning. A way of treating the body not as a subject, but as a place. And above all, the ability to bring something into view even before it has been named.
French • English
Between Images, Spaces, and Bodies: Maintaining a Position
This shift was decisive. The image broke free from its frame. It became an environment. Then an installation. Production companies served as transitional spaces. The approach remained the same: that of an autonomous practice. Then cinema emerged as a natural extension. A shift—from set design to editing, rhythm, and duration. Space was reconfigured: it became mental, fragmented, permeated by memory.
French • English